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While doing some research today I stumbled upon a thread at the Indie Club message board started by director, producer, and past podcast guest Christian Viel (Recon 2020: The Caprini Massacre, Deaden) on April 14th. Viel reportedly had problems getting paid by the Miami-based distribution company.

Be very careful with these guys. They are trying to stiff us currently on Deaden. I am going to have to get the lawyers involved and so on. Very unpleasant business…

We had two movies released through them and it was a nightmare both times to get our dues.

NOT RECOMMENDED! Do not sign with them and better yet, pass the word. Distributors have to stop trying to !$%* filmmakers!

This appears to be the same old story that distributors have been putting into action for years and years. Distributors seem to believe that because it will often cost a filmmaker more to file legal action for non-payment that they’ll actually recoup if they’re successful in their suit, that they can miss deadlines and simply choose not to send checks.

Christian explained further…

For Deaden, they contacted us directly and we made a deal as they blamed the problems on the intermediary… The deal was: First payment on delivery, second on DVD street date, Third sixty day after street date.

The first payment was hell to get, with every delaying tactics in the book but we finally got it.

Street date for Deaden was April 15, 2008. No check. I inquire. They say they can’t pay us because we did not provide them with a proper Chain of Title - yet have no qualms about releasing the film nationwide!!! - and despite numerous emails that confirmed with their employees the shipment and reception of said documents… Any attempt at resolving this amicably has been rebuffed… So now it’s time to get nasty, which is always unpleasant.

Christian explains what a Chain of Title is below. In short, if you don’t have one of these you (as a distributor) are opening yourself up to a plethora of legal liabilities.

We are talking about the payment for the license. Typically in the US, unlike foreign countries, because the advance is usually higher, they insist on splitting it in two or three. In our case it was one third at signature, one third at street date and one last third sixty days after street date.

So now they are basically stealing the film for a third of the License prize.

Chain of Title is this: the documents that links every person that might have a claim to the copyright or part of the copyright on the film certifying that they got paid and renounce to their rights entirely in favor of the production company or entity that paid them for: script, directing, producing, acting, composing music, editing the film. This allows the production company (or the entity that now own all the copyrights onto the film) to license it to third parties like Maverick. By releasing it nationwide while claiming we did not provide the chain of Title is stupid because if it were true, they would be exposed to serious lawsuits and would not last half a second in court. Even stupider, since I did most of these jobs except acting and script in this case, it’s not too hard to prove who owns the film… And we have all legal contracts for each - our chain of title for this film has been accepted worldwide so far… And they obviously felt safe enough with what they had to release the film without fear from everybody but the Licensor, which they are trying to stiff.

One lesson for young filmmakers is that threatening lawsuits in a legitimate manner (through an actual lawyer — not just saying “I’m going to sue you”) will often cause your check to magically appear. This post is from three days after the first post was made.

We resent them everything we already sent in terms of Chain of Title, threatened law suit plus a cease and desist to BlockBuster and Hollywood Video. We also asked for a notarized letter asking for acknowledgement of full and complete delivery in case they try to pull that card again in 60 days when the other payment is due. The check is in a Fedex truck somewhere. But it was a week of hell… Makes you feel like the contracts they force you to sign are worth nothing…

So it looks like Christian will get his money. Let’s hope.

The only real insight on Maverick I can give is that most of what I’ve heard about them has been positive. Their artwork can be shoddy and they care more about packages of movies than they do individual titles, but I don’t have much against them. I do seem to remember that a year ago this time Maverick was releasing four films a month. Now it’s down to three.

Hopefully all is well with the company.

4 Responses to “Christian Viel on Maverick Entertainment — “They’re trying to stiff us””

  1. What a nightmare. If the above facts are correct, then the information confirms that composers should have a good, trustworthy lawyer on hand at all times.

  2. This also proves my point which I have tried to make to filmmakers around the world:

    Always have every bit of your delivery items ready to go PRIOR to selling your movie. Have your master QC’d by a reputable post house and have them sign off on it. Have all documents reviewed by your lawyer and use industry standard contracts which you can purchase or find online. Don’t ever give any distributor a chance to tell you “no” when it comes to your checks.

    Once you sign the contract you have “sold” your movie to the distributor for the license period. Make sure everything’s in writing, and that there is nothing missing. Make sure the distributor signs a document checking off the items in a delivery package and approving them. Get signatures.

    Otherwise you’re stupid.

  3. Yea, these low budget distributors can really tick you off, especially when you know they have money and just aren’t paying. That’s why I did self distribution last time.

    -Nate

  4. I dealt with Maverick for teh release of my first feature. Cant complain.. They paid on time. My only concern is their accounting practices. I recieved a nice advance but I also signed a backend deal that was net instead of gross.. Fully knowing that I more then likely will never beable to collect without a fight…. Well the movie had been out for a about three years…. Accorinding to them Im still in the red… Im just gonna wait a while until and let them do damage, then audit them in another year….. Lesson.. If possible..step your game up on your next film..Bigger budget, production value and a name or two..U wont wont have to deal with these knuckleheads….. Which reminds me…My lastest film Studio:Hop Task Force vol 2 was made in response to the review I recieved on this website for the original “Hip Hop Task Force”… A pretty repectable review but the comment about making another about a rapper that got shot in the face, was very sarcastic..and just for the reviewer…I did just that… Id love to recieve the reviews on that one…Oh and its not on Maverick.. Lightyear Waener Home Video picked it up…

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